Three years ago, independent watchmaker Andreas Strehler launched his new brand, Strehler, to present his philosophy and craftsmanship in a more accessible form. The first model, Sirna, was designed as an essential time‑only watch that distilled his precision, expertise, and uncompromising finishing. The second model, Säntis, takes the brand naturally into the realm of complications. Like Sirna, which was named after the town Sirnach, Säntis draws its name from the mountain near Strehler’s workshop, the highest peak of the Appenzell Alps.

World Time Concept & Crown Operation
Responding to a collector’s request and inspired by his earlier Sauterelle Heure Mondiale, Strehler created a world time watch that remains elegant, intuitive, and deeply personal. Säntis uses a Cottier‑style world time display operated entirely by a single three‑position crown—preserving design purity and simplicity. The 40 mm medical‑grade stainless‑steel case blends refinement with ergonomics and stays below 10 mm thick even with the added mechanism.

Titanium Dial & Time Zone Display
The titanium dial features a sculptural three‑dimensional texture, individually machined, engraved, and hand‑polished. Its pattern is adapted from a design created with Eric Giroud for Sirna. Surrounding it, the 24‑hour ring marks day and night and rotates once per day, aligning with a fixed city ring listing 24 time zones. Central European Time is indicated by “Strehler” rather than a city, and DST‑observing cities are marked with a sun symbol. Both the city disc and 24‑hour disc use luminous printing, with additional luminous dots along the minute track.

Colour Options, Hands & Movement
The titanium dial features a sculptural three‑dimensional texture, individually machined, engraved, and hand‑polished. Its pattern is adapted from a design created with Eric Giroud for Sirna. Surrounding it, the 24‑hour ring marks day and night and rotates once per day, aligning with a fixed city ring listing 24 time zones. Central European Time is indicated by “Strehler” rather than a city, and DST‑observing cities are marked with a sun symbol. Both the city disc and 24‑hour disc use luminous printing, with additional luminous dots along the minute track.

Strap, Presentation & Limited Production
The Säntis comes with a subtly grained brown calfskin strap with contrasting off‑white stitching, and other colours are available upon request. Its steel pin buckle is crafted in‑house, echoing the case’s lines. The watch is delivered in a beechwood box with a cognac leather travel pouch. While not limited, production is naturally restricted due to the fully in‑house manufacturing of cases, dials, hands, and movements, resulting in only 30–50 watches per year shared between Sirna and Säntis.

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To celebrate 17 years since its rebirth in 2008, Moritz Grossmann unveils a horological milestone: the PERPETUAL CALENDAR. This grand complication embodies the brand's philosophy of timeless precision, combining traditional craftsmanship with modern innovation.

The PERPETUAL CALENDAR is engineered to automatically account for the varying lengths of months and leap years, requiring no manual correction until the year 2100. This makes it one of the most technically demanding and revered complications in fine watchmaking.

The dial is a study in symmetry and clarity. A full 1–31 date scale encircles the dial, with a cup-shaped indicator framing the current date. The month and weekday are displayed on subdials at 3 and 9 o'clock, decorated with Azurage finishing. Leap year and day/night indicators are integrated into the subdials. At 12 o'clock, a poetic moon phase display features a mother-of-pearl moon gliding across a goldstone sky.

At the heart of the watch is the newly developed Calibre 101.13, a hand-wound movement based on the 100.1 calibre with an added perpetual calendar module. It comprises 401 components — 211 for the calendar module and 190 for the base movement. The movement features optimised stopwork, an integrated manual winder, and an escape wheel bearing in the barrel bridge. The finishing adheres to traditional Glashütte standards, with untreated German silver plates, raised gold chatons, and hand-engraved details.

All calendar functions can be adjusted via recessed correctors on the case, operated with a dedicated tool. A sum corrector allows for quick synchronization of all indicators after periods of inactivity.

The PERPETUAL CALENDAR is available in three elegant variants: rose gold with argenté dial (Ref. MG-003906), rose gold with anthracite dial (Ref. MG-003907), and platinum with argenté/anthracite dial (Ref. MG-003904). Each model is paired with a hand-stitched dark brown alligator leather strap and a matching prong buckle.

Moritz Grossmann continues to honour its namesake's 19th-century legacy with a commitment to "Schönstes deutsches Handwerk" — the finest German craftsmanship. The PERPETUAL CALENDAR is a testament to this enduring vision, offering collectors a timepiece that is as poetic as it is precise.

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Greubel Forsey introduces the final and most exclusive editions of the Balancier Convexe S²: one in black ceramic with 5N red gold, and one in white ceramic, each strictly limited to 11 pieces.
These editions conclude a calibre developed through five years of mechanical and architectural exploration, with production set to cease permanently in 2026.

The Convexe case (41.5 mm) and movement were conceived as a single architectural whole, integrating Greubel Forsey’s signature 30° inclined balance wheel system as the visual and chronometric centre. The openworked movement features 301 components, including a 68‑part escapement platform, and is powered by two rapid-rotation coaxial barrels delivering a 72‑hour chronometric reserve.

Finishing remains uncompromising: frosted titanium bridges, polished bevels, hand‑finished countersinks, and meticulous transitions — even on invisible components.

Two Final Interpretations
Black Ceramic & 5N Red Gold
A dramatic contrast of dark architecture framed by ceramic, with red gold adding warmth and sculptural depth.The interplay of matte and polished surfaces enhances the piece’s three‑dimensional form

White Ceramic
A purist, graphic expression that highlights the structural geometry of the movement through light and shadow.The monochromatic case offers clarity, openness and a distinctly technical aesthetic.

Both editions preserve the characteristic S² display: suspended hours/minutes bridge, small seconds, and sector power‑reserve indication beneath a curved sapphire crystal.

This launch marks the concluding chapter of the Balancier Convexe S²’s five‑year evolution — not an iteration, but a final statement. As of 2026, Greubel Forsey will begin a gradual shift toward an almost entirely new collection, retiring earlier calibres with intention and ceremony rather than quiet discontinuation.
 

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