Angelus unites the chronograph's key functional scales—telemeter, pulsometer, and tachymeter—in a single design. True to its heritage as a maker of functional timepieces, Angelus brings together the expertise developed through its previous instruments in the Instrument de Mesures. Produced in two limited editions of 25 pieces, this watch is a genuine instrument of measurement, designed to calculate elapsed time, the speed of sound, distance travelled and heart rate. Using a single chronograph hand, it integrates three functions, each with its own dedicated scale. Housed in a 39 mm steel case, its three-dimensional dial is both highly legible and meticulously graduated, giving the Instrument de Mesures the character of an authentic tool watch with a distinctive vintage charm and singular identity.

One Instrument, Multiple Measurements
Integrating these three scales alongside the essential minute track required a particularly sophisticated design approach. The amount of information to be displayed, combined with the need for legibility and clarity, led Angelus to adopt a distinct colour code for each function. This arrangement is reinforced by a three-dimensional dial construction, featuring a domed centre and outer edge connected by a sloping intermediate section. The telemetric scale is situated on the highest level at the periphery of the dial. The pulsometer extends across the angled intermediate section, and the tachymeter, in the form of a spiral, is located closest to the hands.

The In-House A5000 Chronograph Calibre
The Instrument de Mesures is powered by Angelus's in-house A5000 chronograph calibre. Its classical architecture showcases numerous intricately shaped components, providing an ideal canvas for high-end finishing. Faithful to the great traditions of chronograph watchmaking, the A5000 incorporates a column wheel and a horizontal clutch, both defining features of traditional chronographs.
 

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Known for bold evolutions of mechanical wristwatches and daring designs, Chronoswiss unveils its latest creature: the ReSec Snake. Slithering between heritage and rebellion, this timepiece is a hypnotic blend of color, contrast, and kinetic energy — proof that modern mechanical watchmaking still has a few fangs to bear.

The Snake’s Bite

The ReSec Snake coils into view within a 42mm titanium case, coated with a mesmerizing color-changing PVD-coating that shifts from emerald green to turquoise, depending on the light. It’s not just a case — it’s iridescent armor, capturing the reptilian allure of a serpent in motion. Paired with a contrasting white rubber strap, the Snake wraps around the wrist with smooth, tactile elegance.

But the true venom lies beneath the sapphire crystal. A green CVD-coated dial, hand-guillochéd in the Lucerne Atelier, pulses with depth and hypnotic texture. It’s a dial that doesn’t just tell time — it seduces it.

Take a closer look, and the architecture reveals itself: the iconic 3D regulator layout of the ReSec series slithers across the dial, framed by green hour and minute rings and a retrograde second display, like the flick of a serpent’s tongue. Underneath, the exposed gear train glimmers in contrasting tones — a mechanical exoskeleton that moves with silent precision.

Fangs Beneath the Surface

Powering this cold-blooded beauty is the Chronoswiss Manufacture Caliber C.6005, featuring a 55-hour power reserve, ruthenium-plated finishing, and a radial Côtes de Genève motif. It’s mechanical watchmaking at its sharpest: sleek, silent, and engineered to strike.

Limited. Lethal.

Only 100 pieces of the ReSec Snake will ever exist — a rare breed for collectors with a taste for the untamed. The ReSec Snake is a statement: of daring, of detail, and of defiance — proving once again that at Chronoswiss, we don’t follow rules. We shed them.
 

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The year 2026 marks a historic milestone for the Moritz Grossmann manufactory in Glashütte, as it celebrates the 200th birthday of its visionary founder and namesake, born on March 27, 1826. A genius watchmaker, scientist, author, and initiator of the German Watchmaking School, Grossmann profoundly shaped the craft of horology and the fate of his hometown. Rather than merely imitating historical concepts, the modern manufactory honors his legacy by blending his cutting-edge philosophy with modern engineering. This dedication to technological perfection and exceptional aesthetics cements its place among the world's elite elite watchmakers.

To commemorate this bicentennial occasion, the brand has unveiled its third anniversary special edition: the TEFNUT Silver-Plated by Friction. Debuting on April 29, 2026, this launch presents an exclusive premiere for collectors—the very first time that the sleek TEFNUT model is made available in a stunning 750/000 yellow gold case, alongside a 750/000 white gold version. Both variations pay homage to their heritage by incorporating an "1826" engraving on the balance cock and showcasing a vintage 1875 "M. GROSSMANN" logo on the dial.

At the heart of the timepiece lies the ultra-flat manufactory calibre 102.1, a hand-wound movement measuring just 4 mm in height and 26 mm in diameter. This compact footprint enables the watch to retain its remarkably elegant, low-profile silhouette. The calibre embodies classic Grossmann pillar movement architecture with a 3/5 plate, incorporating his signature raised gold chatons, an optimized mainspring barrel with bilateral jewel bearings, and a stepped balance cock with a micrometer screw. Each component is meticulously hand-finished to ensure absolute technical and visual distinctiveness.

The defining aesthetic feature of this model is its striking dial, which boasts a rare "silver-plated by friction" finish. Executed entirely by hand in the brand's ateliers, a master artisan brushes a specialized paste of silver powder, salt, cream of tartar, and water onto the brass surface to create a velvety, fine-grained texture that beautifully diffuses light. To provide a contemporary contrast, the numerals, minute scale, and historic logo are rendered in a vibrant green hue. Hovering above are extraordinarily fine, hand-crafted lance-shaped hands, polished in gold for the yellow gold model and annealed to a brown-violet tone for the white gold edition. Each variation is strictly limited to just 12 pieces worldwide.

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Three years ago, independent watchmaker Andreas Strehler launched his new brand, Strehler, to present his philosophy and craftsmanship in a more accessible form. The first model, Sirna, was designed as an essential time‑only watch that distilled his precision, expertise, and uncompromising finishing. The second model, Säntis, takes the brand naturally into the realm of complications. Like Sirna, which was named after the town Sirnach, Säntis draws its name from the mountain near Strehler’s workshop, the highest peak of the Appenzell Alps.

World Time Concept & Crown Operation
Responding to a collector’s request and inspired by his earlier Sauterelle Heure Mondiale, Strehler created a world time watch that remains elegant, intuitive, and deeply personal. Säntis uses a Cottier‑style world time display operated entirely by a single three‑position crown—preserving design purity and simplicity. The 40 mm medical‑grade stainless‑steel case blends refinement with ergonomics and stays below 10 mm thick even with the added mechanism.

Titanium Dial & Time Zone Display
The titanium dial features a sculptural three‑dimensional texture, individually machined, engraved, and hand‑polished. Its pattern is adapted from a design created with Eric Giroud for Sirna. Surrounding it, the 24‑hour ring marks day and night and rotates once per day, aligning with a fixed city ring listing 24 time zones. Central European Time is indicated by “Strehler” rather than a city, and DST‑observing cities are marked with a sun symbol. Both the city disc and 24‑hour disc use luminous printing, with additional luminous dots along the minute track.

Colour Options, Hands & Movement
The titanium dial features a sculptural three‑dimensional texture, individually machined, engraved, and hand‑polished. Its pattern is adapted from a design created with Eric Giroud for Sirna. Surrounding it, the 24‑hour ring marks day and night and rotates once per day, aligning with a fixed city ring listing 24 time zones. Central European Time is indicated by “Strehler” rather than a city, and DST‑observing cities are marked with a sun symbol. Both the city disc and 24‑hour disc use luminous printing, with additional luminous dots along the minute track.

Strap, Presentation & Limited Production
The Säntis comes with a subtly grained brown calfskin strap with contrasting off‑white stitching, and other colours are available upon request. Its steel pin buckle is crafted in‑house, echoing the case’s lines. The watch is delivered in a beechwood box with a cognac leather travel pouch. While not limited, production is naturally restricted due to the fully in‑house manufacturing of cases, dials, hands, and movements, resulting in only 30–50 watches per year shared between Sirna and Säntis.

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