Moritz Grossmann, renowned for its exquisite craftsmanship and precision in watchmaking, proudly announces the launch of the ART EDITION Max Frintrop. This exclusive collection features sixteen unique timepieces, each showcasing a dial crafted from the top layers of renowned German painter Max Frintrop’s studio floor.

A Fusion of Art and Horology
The ART EDITION Max Frintrop marks the first collaboration between Moritz Grossmann and a contemporary artist. Each dial in this collection captures years of artistic expression, resulting in a mesmerizing display of abstract beauty. The intricate layers of paint, preserved from Frintrop’s studio floor, create a unique and captivating design for each watch.

Craftsmanship and Innovation
At the heart of each timepiece is the calibre 100.1 movement, a testament to Moritz Grossmann’s commitment to quality and precision. Components made from untreated German silver, a hand-engraved 2/3 plate, and the distinctive Grossmann balance are just a few of the features that highlight the exceptional craftsmanship of these watches.

Exclusive Design and Limited Availability
Each watch is engraved with “Unique Piece” on the case back and is available in rose gold or stainless-steel cases. Complemented by different-colored Kudu leather straps, these timepieces are as stylish as they are unique. Max Frintrop’s signature is discreetly engraved on the glass back, adding a personal touch to each piece.

A Philosophical Exploration of Time
This collaboration explores the concept of time through both art and watchmaking. Christine Hutter, CEO of Moritz Grossmann, explains, “The heart of a watch is the balance. It can be seen as philosophical proof that a watch is not just a timepiece, but also a constant reminder that our understanding of time is both fleeting and infinite.”
 

Swiss independent watch brand Armin Strom celebrates the 15th anniversary of its fully-integrated Manufacture by reimagining its most historically significant innovation, the resonance complication, in an entirely new Dual Time GMT Resonance First Edition. The new timepiece is presented in a hotly-anticipated 39-mm case size made in 18-karat white gold and limited to 25 pieces.

Black is the absence of light. This is the physical definition of a colour that is synonymous with classicism and elegance. At Moritz Grossmann, black is used to form stylish contrasts and also serves as a testament to the highest standards of craftsmanship. The limited-edition ENAMEL ROMAN Vintage, for example, has an enamel dial whose manufacture presents multiple challenges. With this, Moritz Grossmann has chosen the occasion of its 16th birthday to once again shine the spotlight on the expertise of the ateliers and workshops in Glashütte.

Tradition requires renewal, otherwise it remains stagnant in the past and cannot survive. This is an approach that Moritz Grossmann has embodied since 2008: the manufactory opened 16 years ago as a tribute to one of the most exceptional personalities in the history of watchmaking in Glashütte. Moritz Grossmann was an innovative watchmaker and, with the founding of the German Watchmaking School in Glashütte, influenced a generation of artisans.

His values and vision now live on in the Moritz Grossmann manufactory, which crafts a small but exquisite collection of sophisticated watches that always remain true to the standards of the man who gave the manufactory its name. Characteristics of these timepieces include exclusive manufactory movements with innovative details that are designed, made and finely decorated in-house in the company’s own workshops. The highest of standards also come into play when finishing the watches, as impressively demonstrated by the special model marking the 16th anniversary of the manufactory.
 

Matt and refined with vintage style: Instrument de Vitesse presents the purest expression of a chronograph, with no sub-counters. The collection sets the tone with its Indianapolis blue and Silverstone grey dials. Its finely printed tachymeter scale is dedicated to speed and is as functional as a dashboard instrument.

Things are not always what they seem. At first glance, Instrument de Vitesse could be a highly refined three-hand watch. Only its discreet tachymeter scale, printed on the edge of the dial, and its name point us in the right direction: this is a chronograph designed for short bursts, an instrument for measuring average speed over a maximum period of 60 seconds. The purpose of the button on the crown thus becomes clear: a single push-piece that triggers the slender direct-drive central seconds hand.

This year, Angelus is releasing the Chronographe Télémètre as a limited edition of two sets of 25 steel timepieces and a further 15 in 18-carat yellow gold. Measuring 37 mm in diameter, with a vintage-inspired dial and a mono-pusher set into the winding crown, this short-interval timekeeping instrument contains countless tributes to Angelus’ rich history and particularly its speciality in crafting chronographs. Its noble hand-wound mechanism, historical roots and superior finishes give this chronograph a wildly elegant retro aesthetic.

After the Instrument de Vitesse and the Chronographe Médical, the La Fabrique collection welcomes a new masterpiece that recalls the functional and aesthetic history of Angelus. Founded in 1891 in Le Locle by the Stolz brothers, Angelus quickly specialised in alarm clocks, minute repeaters and, above all, chronographs. One of its iconic models already inspired the revival of the Chronodate collection 80 years later.