DANIEL ROTH Extra Plat Rose Gold Skeleton

Independent Swiss watch manufacture Armin Strom is expanding its Tribute collection with the new Tribute2, featuring a distinctive open worked design and remarkable three-dimensionality. The visible mechanical elements of the innovative movement and the elaborate hand decorations impart an intriguing visual depth to the watch. The Tribute2 – Copper Edition features a mainplate with a distinctive grattage design in an elegant copper hue. Limited to just 10 pieces, this edition underscores Armin Strom’s commitment to exceptional craftsmanship and exclusivity.
 

“The Tribute2 builds on the success of the Tribute 1 launched in 2021. It merges traditional watchmaking with contemporary design, highlighting the core values of the brand: transparent mechanics that artfully display the inner mechanisms, three-dimensional design that provides visual depth through various levels and the intricate details of the movement and meticulous hand decoration, which features prominently in this timepiece.” – Claude Greisler, Co-Founder and Master Watchmaker at Armin Strom.
 

This is not just a new timepiece — it’s a statement, a revolution, a new era. The PULSE One is the first of its kind, the birth of a new family, and most importantly, the bold next step in the Chronoswiss legacy.

Designed and crafted in Lucerne, this is "Modern Mechanical" in its purest form. Known for defying convention, the watchmakers at Chronoswiss have once again pushed the boundaries of mechanical artistry. For Watches & Wonders 2025, Chronoswiss has re- visioned, re-engineered, and redefined its core DNA. The result? A full-titanium powerhouse that pulses with precision, energy, and audacity - a true mechanical marvel forged by hand.

Matt and refined with vintage style: Instrument de Vitesse presents the purest expression of a chronograph, with no sub-counters. The collection sets the tone with its Indianapolis blue and Silverstone grey dials. Its finely printed tachymeter scale is dedicated to speed and is as functional as a dashboard instrument.

Things are not always what they seem. At first glance, Instrument de Vitesse could be a highly refined three-hand watch. Only its discreet tachymeter scale, printed on the edge of the dial, and its name point us in the right direction: this is a chronograph designed for short bursts, an instrument for measuring average speed over a maximum period of 60 seconds. The purpose of the button on the crown thus becomes clear: a single push-piece that triggers the slender direct-drive central seconds hand.

The 41.5 mm diameter Constant Force Tourbillon 11 watch in 18-carat yellow gold, released by Arnold & Son as a limited edition of 11, is driven by a hand-wound mechanical movement. Equipped with two barrels to give a 100-hour power reserve, this timepiece was entirely developed and built at the manufacture in La Chaux-de-Fonds. It is fitted with a constant force mechanism visible on the enamel dial and is regulated by a tourbillon that can be seen on the back. The architecture of this calibre is inspired by that of the timekeeping instrument driven by the first tourbillon created by Abraham-Louis Breguet in 1808, based on a chronometer movement designed by John Arnold. This first tourbillon regulator, now in the British Museum, was given to John Roger Arnold by the Paris-based watchmaker in honour of his scientific collaboration and friendship with his father. The Constant Force Tourbillon 11 timepiece, designed to mark the end of the 260th anniversary celebrations of John Arnold’s legacy, pays tribute to the watchmaker’s ingenuity and his close association with Abraham-Louis Breguet.

The greatest watchmakers of the Age of Enlightenment often knew each other. Some of them exchanged views and appreciated each other despite language barriers and political obstacles. And this was the case with John Arnold and Abraham-Louis Breguet. These two watchmakers, undoubtedly the most productive of the second half of the 18th century, forged a friendship that nothing could shake, not even the throes of war between the two countries or the French Revolution. Aware of their respective talents, during Abraham-Louis Breguet’s frequent trips to London between 1789 and 1791, they shared their views and knowledge of the principles of timekeeping, furthering the science of timekeeping, which in their eyes definitely knew no frontiers.