Lunar Chronograph Aurora

Inspired by the audacity and legacy of classical watchmaking, the Delphis Sapphire transcends conventional aesthetics with its striking sapphire blue hand-guilloché dial, setting a new standard in horological artistry. The Limited Edition of 50 is a testament to the harmonious blend of traditional craftsmanship and contemporary design crafted in the Atelier Lucerne. 
In the world of luxury watches, the Delphis Sapphire stands out. The brand's heritage is deeply rooted in extraordinary complications and daring designs, redefining the boundaries of watch design.

Released initially with a grey dial and then with a Lever de Soleil color dial, the C by Romain Gauthier Titanium Edition Bracelet is now featured with two new dials: a three-dimensional straight grained structured dial in Grade 5 black titanium with white details and a black sapphire openwork dial with blue and white accents.

The three-dimensional straight grained black titanium dial provides an even more assertive character with its textured surfaces. The sharp contrast between the white details and the dark background enhances the time indications. This dial embodies a distinctly modern design while maintaining excellent readability, even in low-light conditions, thanks to the use of Super- LumiNova on the indexes, numerals, and hands.

As for the sapphire openwork dial, it reveals the intricate components of the movement, showcasing the brand's sophisticated watchmaking engineering and artisanal craftsmanship. This openwork design creates a captivating interplay between transparency and structure, transforming the watch into a true technical and aesthetic masterpiece. When Romain launched the first edition of C by Romain Gauthier in 2021, it was clearly stated that this new caliber would lead the brand to new horizons. One year later, a new door has been opened with the arrival of the brand's first metal bracelet.

Sober and contemporary, propitious to variations and adaptations, C by Romain Gauthier was an obvious choice for the creation of a metal bracelet. The desire of modernity, comfort and ergonomic already initiated during the conception of the first edition, reinforced the development of this integral timepiece on a titanium bracelet - light, resistant, modern and sophisticated. Aesthetically, it was important to Romain that the bracelet and the watch become one. As he said: "The bracelet is the case, and the case is the bracelet". This desire is reflected in the fusion of these two elements, a timepiece as a whole that cannot be dissociated.

In keeping with Romain's vision - The Evolution of Tradition - this new technical and contemporary element requires a high level of craftsmanship and hand finishing. Each link is composed of hand-polished and satin-finished surfaces that play with the light and reflect the technical nature of the bracelet and the piece in general.

The 41.5 mm diameter Constant Force Tourbillon 11 watch in 18-carat yellow gold, released by Arnold & Son as a limited edition of 11, is driven by a hand-wound mechanical movement. Equipped with two barrels to give a 100-hour power reserve, this timepiece was entirely developed and built at the manufacture in La Chaux-de-Fonds. It is fitted with a constant force mechanism visible on the enamel dial and is regulated by a tourbillon that can be seen on the back. The architecture of this calibre is inspired by that of the timekeeping instrument driven by the first tourbillon created by Abraham-Louis Breguet in 1808, based on a chronometer movement designed by John Arnold. This first tourbillon regulator, now in the British Museum, was given to John Roger Arnold by the Paris-based watchmaker in honour of his scientific collaboration and friendship with his father. The Constant Force Tourbillon 11 timepiece, designed to mark the end of the 260th anniversary celebrations of John Arnold’s legacy, pays tribute to the watchmaker’s ingenuity and his close association with Abraham-Louis Breguet.

The greatest watchmakers of the Age of Enlightenment often knew each other. Some of them exchanged views and appreciated each other despite language barriers and political obstacles. And this was the case with John Arnold and Abraham-Louis Breguet. These two watchmakers, undoubtedly the most productive of the second half of the 18th century, forged a friendship that nothing could shake, not even the throes of war between the two countries or the French Revolution. Aware of their respective talents, during Abraham-Louis Breguet’s frequent trips to London between 1789 and 1791, they shared their views and knowledge of the principles of timekeeping, furthering the science of timekeeping, which in their eyes definitely knew no frontiers.

A contemporary expression of classical proportion, revealing the architecture of high watchmaking
 

DANIEL ROTH presents the Extra Plat Rose Gold Skeleton, a new interpretation of one of the Maison’s most emblematic creations. Remaining faithful to the proportions and restrained elegance of the Extra Plat, this latest iteration introduces skeletonisation for the first time in the brand’s modern revival, allowing the inner architecture of the watch to take centre stage.

Conceived in the spirit of La Montre Objet d’Art, the Extra Plat Rose Gold Skeleton preserves the calm geometry of the double‑ellipse case while offering a transparent view into the movement, transforming technical construction into a visual and artistic experience.

The Extra Plat: A signature revisited
Simplicity, when executed with absolute precision, has long been central to the identity of DANIEL ROTH. During the early years of his independent career, Mr. Roth considered the Extra Plat a complication in its own right, favouring it for the technical discipline required to achieve true thinness and perfect proportion.

Defined by its double‑ellipse case and balanced architecture, the Extra Plat became a cornerstone of the Maison’s aesthetic vocabulary in the early 1990s. While Daniel Roth produced skeletonised versions of select complications during that period, the Extra Plat itself was never skeletonised. This new creation therefore marks a respectful yet meaningful evolution, expanding the expressive range of the Extra Plat while remaining faithful to its original spirit.

The DR002SR calibre: a skeletonised rose gold heart
At the centre of the Extra Plat Rose Gold Skeleton is the new manually wound calibre DR002SR, developed and manufactured entirely at La Fabrique du Temps Louis Vuitton under the supervision of master watchmakers Michel Navas and Enrico Barbasini.

Based on the DR002, the DR002SR has been re‑engineered from the ground up specifically for skeletonisation. The bridges and plates have been reshaped to maximise openness and visual clarity, while preserving structural rigidity and chronometric performance. Crafted in solid 18k 5N rose gold, the movement mirrors the warmth of the case and provides an ideal canvas for traditional hand finishing.

Transparency in motion
Skeletonisation is an exercise in reduction and balance. With the DR002SR, DANIEL ROTH brings this principle to its highest expression. The calibre reveals a wealth of hand‑executed details, including numerous hand‑polished internal angles, black‑polished steel components, and meticulously bevelled bridges—finishes that can only be achieved by skilled artisans and never by machine.

Despite its openworked construction, the DR002SR retains a power reserve of 65 hours and a frequency of 4 Hz, underscoring the Maison’s commitment to both technical integrity and timeless aesthetics.

Slim proportions, uncompromised structure
Housed in a 38.6 × 35.5 mm double‑ellipse case crafted in 18k rose gold, the Extra Plat Rose Gold Skeleton measures just 6.9 mm in thickness. This exceptional slenderness ensures that the watch remains true to the Extra Plat philosophy of discreet elegance and effortless wearability.

Produced in extremely limited numbers each year, the Extra Plat Rose Gold Skeleton is intended for collectors who value traditional high watchmaking expressed with clarity, restraint, and depth.

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This year, Angelus is releasing the Chronographe Télémètre as a limited edition of two sets of 25 steel timepieces and a further 15 in 18-carat yellow gold. Measuring 37 mm in diameter, with a vintage-inspired dial and a mono-pusher set into the winding crown, this short-interval timekeeping instrument contains countless tributes to Angelus’ rich history and particularly its speciality in crafting chronographs. Its noble hand-wound mechanism, historical roots and superior finishes give this chronograph a wildly elegant retro aesthetic.

After the Instrument de Vitesse and the Chronographe Médical, the La Fabrique collection welcomes a new masterpiece that recalls the functional and aesthetic history of Angelus. Founded in 1891 in Le Locle by the Stolz brothers, Angelus quickly specialised in alarm clocks, minute repeaters and, above all, chronographs. One of its iconic models already inspired the revival of the Chronodate collection 80 years later.