Angelus unveils the Flying Tourbillon Skeleton Titanium, Orange Edition, a vivid expression of horological energy and design. Limited to just 25 pieces, this timepiece transforms skeletonised mechanics into a canvas of colour and contrast. The satin-finished titanium case frames a deep black movement, animated by bright orange accents that highlight the time display and extend to three interchangeable straps. The openwork calibre, designed as a series of interlocking circles, adds architectural depth and visual dynamism.

Every detail of this 42.5 mm watch reflects a unique energy. Chromatic energy flows through the orange highlights. Customisable energy is offered by the quick-release strap system, allowing seamless transitions between black alligator leather, orange rubber, and integrated titanium. Light energy emerges from the skeletonised movement, while structural energy is revealed in the layered construction. Graphic energy is embodied in the three-dimensional architecture of the A-310 calibre.

The dial features a floating orange minute track above a black flange, with hour markers crafted for the first time by Angelus in monolithic blocks of Super-LumiNova. These luminous elements ensure legibility in low light and reinforce the watch’s modern aesthetic. At the heart of the case lies a carbon composite chamber, lightweight yet rigid, surrounded by a modular titanium cage that enhances stability and mechanical appeal.

The A-310 calibre showcases Angelus’s signature three-spoke wheels, leading the eye to the flying tourbillon suspended without an upper bridge. Supported by a 160° angled bridge, this asymmetrical design intensifies visual tension and balance. The tourbillon completes a rotation every minute, oscillates at 4 Hz, and offers a 60-hour power reserve. The Flying Tourbillon Skeleton Titanium, Orange Edition embodies the Angelus L.A.B. philosophy—Legacy and Beyond—where technical mastery meets bold design to elevate mechanics into contemporary art.

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Haute Horlogerie Dominique Renaud (HHDR) marks its official debut with the launch of the Pulse60, unveiled in preview at the Time To Watches fair in Geneva (April 14–19, 2026). This first creation of the new Dominique Renaud brand introduces a radical approach to low‑frequency mechanical watchmaking and expresses the purest form of Renaud’s watchmaking philosophy.

A Vision Rooted in First Principles
Dominique Renaud, co‑founder of the legendary Renaud & Papi manufacture and creator of numerous landmark complications, returns with a renewed focus on foundational movement principles. Guided by the maxim “form ever follows function,” his work embraces clarity, purity and a minimalist, self‑evident aesthetic.
The establishment of HHDR in Tolochenaz brings together a team of watchmakers, designers and engineers in a collaborative, idea‑driven environment. HHDR is conceived as a living laboratory — a place where experimentation, shared expertise and long‑term exploration shape new forms of contemporary horology.

Pulse60 — A New Mechanical Language
At the heart of the Pulse60 is the newly developed BUA2024 movement, which embraces an ultra‑low 1 Hz frequency — just one oscillation per second, echoing the natural rhythm of the human heart. This approach reduces escapement shocks and disturbances, transforming time measurement into a slower, more embodied rhythm.

To master this low frequency, the movement features a monumental 20 mm high‑inertia balance wheel, inspired by marine chronometers. Its large moment of inertia stabilizes the rate by absorbing minute variations in energy and motion.

Dominique Renaud has also completely reimagined the regulating organ, allowing amplitude greater than 360° without knocking, with a theoretical range reaching approximately 700°. This unprecedented freedom greatly improves static rate stability by allowing the balance to follow its own natural dynamics over a longer portion of its oscillation.
 

A Design That Expresses Its Mechanics
The Pulse60’s innovative mechanics are reflected in its seamless, fluid architecture:

- A domed crystal with no bezel
- Lug‑less construction and integrated strap
- Three‑part case structure
- Diamond‑cut or guilloché dial details
- A patented offset regulation system placed outside the balance wheel, offering a completely unobstructed view of the slow‑beating 1 Hz oscillator

The display includes an hour‑minute dial at 12 o’clock, a natural dead half‑second at 9 o’clock, and a torque indicator at 3 o’clock. The caseback reveals a minimalist composition of circular and linear forms, framing the openworked escapement line and double‑roller assembly.

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To celebrate 17 years since its rebirth in 2008, Moritz Grossmann unveils a horological milestone: the PERPETUAL CALENDAR. This grand complication embodies the brand's philosophy of timeless precision, combining traditional craftsmanship with modern innovation.

The PERPETUAL CALENDAR is engineered to automatically account for the varying lengths of months and leap years, requiring no manual correction until the year 2100. This makes it one of the most technically demanding and revered complications in fine watchmaking.

The dial is a study in symmetry and clarity. A full 1–31 date scale encircles the dial, with a cup-shaped indicator framing the current date. The month and weekday are displayed on subdials at 3 and 9 o'clock, decorated with Azurage finishing. Leap year and day/night indicators are integrated into the subdials. At 12 o'clock, a poetic moon phase display features a mother-of-pearl moon gliding across a goldstone sky.

At the heart of the watch is the newly developed Calibre 101.13, a hand-wound movement based on the 100.1 calibre with an added perpetual calendar module. It comprises 401 components — 211 for the calendar module and 190 for the base movement. The movement features optimised stopwork, an integrated manual winder, and an escape wheel bearing in the barrel bridge. The finishing adheres to traditional Glashütte standards, with untreated German silver plates, raised gold chatons, and hand-engraved details.

All calendar functions can be adjusted via recessed correctors on the case, operated with a dedicated tool. A sum corrector allows for quick synchronization of all indicators after periods of inactivity.

The PERPETUAL CALENDAR is available in three elegant variants: rose gold with argenté dial (Ref. MG-003906), rose gold with anthracite dial (Ref. MG-003907), and platinum with argenté/anthracite dial (Ref. MG-003904). Each model is paired with a hand-stitched dark brown alligator leather strap and a matching prong buckle.

Moritz Grossmann continues to honour its namesake's 19th-century legacy with a commitment to "Schönstes deutsches Handwerk" — the finest German craftsmanship. The PERPETUAL CALENDAR is a testament to this enduring vision, offering collectors a timepiece that is as poetic as it is precise.

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Greubel Forsey presents the final edition of the Balancier Contemporain, marking the definitive conclusion of this iconic calibre. This timepiece is housed in a 39.6mm stainless steel case – a material that has only been used twice before in the history of the Atelier. Limited to just 33 timepieces, this edition will be built and delivered exclusively in 2025. Once complete, the Balancier Contemporain calibre will be permanently retired and will never be made again.

More than a final edition, this stainless steel interpretation is a statement of purpose – it is the rarest and most exclusive case material in the Atelier’s repertoire. Its presence here is deliberate: to honour the legacy of the Balancier Contemporain with purity, restraint, and resolve.

Compact, Yet Monumental

When it was introduced, the Balancier Contemporain redefined expectations – delivering the full Greubel Forsey experience in just 39.6mm. This final edition preserves that feat of engineering and design. Under its high-domed sapphire crystal, the gold dial reveals a rich interplay of levels, textures, and finishes. A sunburst blue hour-ring frames the composition, while a deep blue minute-circle and sectorial indications for the small seconds and power reserve create both contrast and clarity. A large visual opening draws the eye to the in-house 12.6mm balance wheel, suspended above a flat, black-polished gold plate that provides visual depth and dramatic reflection.

The movement is composed of 256 parts, each hand-finished to the highest standard. The bridges are in nickel silver, frosted and spotted by hand, with perfectly polished bevels and countersinks, straight-grained flanks, and a subtle blue treatment unique to this edition. The balance wheel bridge is flat black polished steel – one of the most demanding finishes in haute horlogerie – with hand-polished bevels that reflect light beautifully. The balance wheel itself is mounted above a flat black-polished gold plate, a surface so refined it becomes both technical and architectural.

On the movement side, a black-polished gold plate is engraved in relief with the fundamental values of Greubel Forsey – invisible to the wearer, yet finished with the same uncompromising care. Olive-domed jewels are set in gold chatons, with hand-polished countersinks that catch the light at just the right angle. Every component, visible or not, is treated with the same reverence – as if each part could stand on its own as a miniature work of art.

A Closing Statement – and a New Beginning

This is the last timepiece to carry the Balancier Contemporain calibre – but it is also the first to signal a new direction. With this final edition, Greubel Forsey opens a new chapter focused on small-diameter timepieces. Over the coming years, this creative momentum will continue to build, exploring new dimensions of mechanical expression, proportion, and elegance – all without compromise.

The Balancier Contemporain in stainless steel is a definitive conclusion – and a confident beginning.
 

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