Haute Horlogerie Dominique Renaud (HHDR) marks its official debut with the launch of the Pulse60, unveiled in preview at the Time To Watches fair in Geneva (April 14–19, 2026). This first creation of the new Dominique Renaud brand introduces a radical approach to low‑frequency mechanical watchmaking and expresses the purest form of Renaud’s watchmaking philosophy.

A Vision Rooted in First Principles
Dominique Renaud, co‑founder of the legendary Renaud & Papi manufacture and creator of numerous landmark complications, returns with a renewed focus on foundational movement principles. Guided by the maxim “form ever follows function,” his work embraces clarity, purity and a minimalist, self‑evident aesthetic.
The establishment of HHDR in Tolochenaz brings together a team of watchmakers, designers and engineers in a collaborative, idea‑driven environment. HHDR is conceived as a living laboratory — a place where experimentation, shared expertise and long‑term exploration shape new forms of contemporary horology.

Pulse60 — A New Mechanical Language
At the heart of the Pulse60 is the newly developed BUA2024 movement, which embraces an ultra‑low 1 Hz frequency — just one oscillation per second, echoing the natural rhythm of the human heart. This approach reduces escapement shocks and disturbances, transforming time measurement into a slower, more embodied rhythm.

To master this low frequency, the movement features a monumental 20 mm high‑inertia balance wheel, inspired by marine chronometers. Its large moment of inertia stabilizes the rate by absorbing minute variations in energy and motion.

Dominique Renaud has also completely reimagined the regulating organ, allowing amplitude greater than 360° without knocking, with a theoretical range reaching approximately 700°. This unprecedented freedom greatly improves static rate stability by allowing the balance to follow its own natural dynamics over a longer portion of its oscillation.
 

A Design That Expresses Its Mechanics
The Pulse60’s innovative mechanics are reflected in its seamless, fluid architecture:

- A domed crystal with no bezel
- Lug‑less construction and integrated strap
- Three‑part case structure
- Diamond‑cut or guilloché dial details
- A patented offset regulation system placed outside the balance wheel, offering a completely unobstructed view of the slow‑beating 1 Hz oscillator

The display includes an hour‑minute dial at 12 o’clock, a natural dead half‑second at 9 o’clock, and a torque indicator at 3 o’clock. The caseback reveals a minimalist composition of circular and linear forms, framing the openworked escapement line and double‑roller assembly.

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gérald genta continues its legacy of audacious elegance with the launch of two new references in the Gentissima Oursin collection: Blue Meteorite and Green Meteorite. These timepieces mark a bold evolution of the iconic design first imagined by Mr. Gérald Genta in 1994, inspired by the delicate yet resilient form of the sea urchin.

A Design Born from Nature and the Cosmos
The Gentissima Oursin 41 features a 41mm sandblasted Grade 5 titanium case, meticulously set with 234 white gold beads, echoing the organic geometry of the sea urchin. At its heart lies a dial carved from a fragment of meteorite—a material born from the stars—making each watch a unique, one-of-one creation. The natural crystalline structure of meteorite ensures that no two dials are alike, offering collectors a truly rare expression of artistry.

Sporty-Chic Meets Haute Horlogerie
Combining rubber straps and titanium architecture with luxurious gold accents, the Gentissima Oursin 41 is designed for everyday wearability without compromising sophistication. A curved sapphire crystal, faceted with a subtle octagonal profile, protects the dial and enhances its dynamic character. Gold hands filled with Super-LumiNova featuring a pink hue—a tribute to Mr. Genta’s favorite color—ensure legibility and elegance.

Mechanical Excellence
Inside beats the Zenith Elite GG-005 automatic movement, boasting a 50-hour power reserve, 4 Hz frequency, and an 18K yellow gold oscillating mass, visible through a sapphire caseback. With 50m water resistance and a comfortable rubber strap, this timepiece is as practical as it is artistic.

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The watch features a star-shaped arrangement of seven bridges, radiating from the center like a nebula, giving it both structural integrity and visual depth.

The movement is laid out with four lines of symmetry, aligning the barrels, balance, and small seconds for a harmonious aesthetic.

Technical Excellence: A&S5201 Calibre

Dual barrels provide an impressive 90-hour power reserve.

Components are arranged in a kinematic chain around the edge, enhancing both function and form.

The crown mechanism is inverted and placed on the case-back side for symmetry with the first wheel at 9 o’clock.

Aesthetic Details

The lower levels of the movement are treated with a rich blue PVD, contrasted by palladium-finished bridges and components.

Includes horizontal satin brushing on the dial side and Arnold & Son’s signature ‘Rayons de la Gloire’ motif on the reverse.

The 40 mm diameter and 9.10 mm thickness ensure elegance on the wrist.

Strap & Bracelet Options

Available with a blue alligator leather or rubber strap.

Also offered with a three-link steel bracelet that highlights the watch’s symmetry and skeletonized beauty.

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Armin Strom unveils the Mirrored Force Resonance Zeitgeist 1665, a creative interpretation of what a Resonance wristwatch might have looked like centuries ago. This timepiece combines historical horology with modern innovation, celebrating the brand’s milestone achievement of stable and resilient Resonance.

The Zeitgeist features a stainless steel case measuring 43 mm in diameter, paired with an 18K white gold dial in an off-center design. Inside beats the Armin Strom Manufacture Caliber ARF21_ZG, a manual-winding movement with twin-seconds and flyback functionality, offering an impressive 80-hour power reserve. Limited to just 25 pieces worldwide, this exceptional creation pays tribute to the centuries-long pursuit of chronometric consistency, a challenge first explored by Christiaan Huygens in 1665. Armin Strom solved the Resonance Fragility Problem in 2016, making this phenomenon practical for wristwatches.
 

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Greubel Forsey introduces the final and most exclusive editions of the Balancier Convexe S²: one in black ceramic with 5N red gold, and one in white ceramic, each strictly limited to 11 pieces.
These editions conclude a calibre developed through five years of mechanical and architectural exploration, with production set to cease permanently in 2026.

The Convexe case (41.5 mm) and movement were conceived as a single architectural whole, integrating Greubel Forsey’s signature 30° inclined balance wheel system as the visual and chronometric centre. The openworked movement features 301 components, including a 68‑part escapement platform, and is powered by two rapid-rotation coaxial barrels delivering a 72‑hour chronometric reserve.

Finishing remains uncompromising: frosted titanium bridges, polished bevels, hand‑finished countersinks, and meticulous transitions — even on invisible components.

Two Final Interpretations
Black Ceramic & 5N Red Gold
A dramatic contrast of dark architecture framed by ceramic, with red gold adding warmth and sculptural depth.The interplay of matte and polished surfaces enhances the piece’s three‑dimensional form

White Ceramic
A purist, graphic expression that highlights the structural geometry of the movement through light and shadow.The monochromatic case offers clarity, openness and a distinctly technical aesthetic.

Both editions preserve the characteristic S² display: suspended hours/minutes bridge, small seconds, and sector power‑reserve indication beneath a curved sapphire crystal.

This launch marks the concluding chapter of the Balancier Convexe S²’s five‑year evolution — not an iteration, but a final statement. As of 2026, Greubel Forsey will begin a gradual shift toward an almost entirely new collection, retiring earlier calibres with intention and ceremony rather than quiet discontinuation.
 

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