Arnold & Son Nebula 40 Steel, Blue Edition

Greubel Forsey introduces the final and most exclusive editions of the Balancier Convexe S²: one in black ceramic with 5N red gold, and one in white ceramic, each strictly limited to 11 pieces.
These editions conclude a calibre developed through five years of mechanical and architectural exploration, with production set to cease permanently in 2026.

The Convexe case (41.5 mm) and movement were conceived as a single architectural whole, integrating Greubel Forsey’s signature 30° inclined balance wheel system as the visual and chronometric centre. The openworked movement features 301 components, including a 68‑part escapement platform, and is powered by two rapid-rotation coaxial barrels delivering a 72‑hour chronometric reserve.

Finishing remains uncompromising: frosted titanium bridges, polished bevels, hand‑finished countersinks, and meticulous transitions — even on invisible components.

Two Final Interpretations
Black Ceramic & 5N Red Gold
A dramatic contrast of dark architecture framed by ceramic, with red gold adding warmth and sculptural depth.The interplay of matte and polished surfaces enhances the piece’s three‑dimensional form

White Ceramic
A purist, graphic expression that highlights the structural geometry of the movement through light and shadow.The monochromatic case offers clarity, openness and a distinctly technical aesthetic.

Both editions preserve the characteristic S² display: suspended hours/minutes bridge, small seconds, and sector power‑reserve indication beneath a curved sapphire crystal.

This launch marks the concluding chapter of the Balancier Convexe S²’s five‑year evolution — not an iteration, but a final statement. As of 2026, Greubel Forsey will begin a gradual shift toward an almost entirely new collection, retiring earlier calibres with intention and ceremony rather than quiet discontinuation.
 

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The year 2026 marks a momentous milestone for Moritz Grossmann as we celebrate the 200th anniversary of our founder’s birth. Moritz Grossmann was not only a master horologist but a visionary scientist and author who forever changed the landscape of Glashütte watchmaking. To commemorate his bicentenary, we are proud to unveil the TREMBLAGE Gold anniversary edition, a tribute that bridges his 19th-century spirit with the pinnacle of modern artisanal watchmaking.

This exceptional release introduces two limited editions, crafted in 750/000 rose gold and 950 platinum, with each variant strictly limited to just eight pieces worldwide. The soul of these timepieces lies in the solid rose gold dial, which has been meticulously hand-engraved using the rare "tremblage" technique. This traditional method involves a master engraver using a specialized burin to create a multi-directional, finely textured matte surface, resulting in a mesmerizing play of light that serves as a backdrop for the raised, hand-polished numerals.

The movement powering these anniversary models is the exquisitely finished Calibre 100.1 manual-winding movement. In a direct nod to the founder's legacy, the balance cock features a unique hand-engraved "1826," marking the year of Grossmann’s birth. Every component, from the heat-annealed brown-violet screws to the hand-carved pillars and German silver plates, reflects our commitment to "Schönstes deutsches Handwerk"—the finest German craftsmanship.

With the TREMBLAGE Gold edition, we do not simply replicate history; we evolve it. These watches embody the same pursuit of technological perfection and aesthetic brilliance that Moritz Grossmann championed two centuries ago. We invite you to discover these masterpieces, which stand as a testament to a heritage that continues to inspire every movement we create and every hand-finished detail we produce in our Glashütte manufactory.

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Three years ago, independent watchmaker Andreas Strehler launched his new brand, Strehler, to present his philosophy and craftsmanship in a more accessible form. The first model, Sirna, was designed as an essential time‑only watch that distilled his precision, expertise, and uncompromising finishing. The second model, Säntis, takes the brand naturally into the realm of complications. Like Sirna, which was named after the town Sirnach, Säntis draws its name from the mountain near Strehler’s workshop, the highest peak of the Appenzell Alps.

World Time Concept & Crown Operation
Responding to a collector’s request and inspired by his earlier Sauterelle Heure Mondiale, Strehler created a world time watch that remains elegant, intuitive, and deeply personal. Säntis uses a Cottier‑style world time display operated entirely by a single three‑position crown—preserving design purity and simplicity. The 40 mm medical‑grade stainless‑steel case blends refinement with ergonomics and stays below 10 mm thick even with the added mechanism.

Titanium Dial & Time Zone Display
The titanium dial features a sculptural three‑dimensional texture, individually machined, engraved, and hand‑polished. Its pattern is adapted from a design created with Eric Giroud for Sirna. Surrounding it, the 24‑hour ring marks day and night and rotates once per day, aligning with a fixed city ring listing 24 time zones. Central European Time is indicated by “Strehler” rather than a city, and DST‑observing cities are marked with a sun symbol. Both the city disc and 24‑hour disc use luminous printing, with additional luminous dots along the minute track.

Colour Options, Hands & Movement
The titanium dial features a sculptural three‑dimensional texture, individually machined, engraved, and hand‑polished. Its pattern is adapted from a design created with Eric Giroud for Sirna. Surrounding it, the 24‑hour ring marks day and night and rotates once per day, aligning with a fixed city ring listing 24 time zones. Central European Time is indicated by “Strehler” rather than a city, and DST‑observing cities are marked with a sun symbol. Both the city disc and 24‑hour disc use luminous printing, with additional luminous dots along the minute track.

Strap, Presentation & Limited Production
The Säntis comes with a subtly grained brown calfskin strap with contrasting off‑white stitching, and other colours are available upon request. Its steel pin buckle is crafted in‑house, echoing the case’s lines. The watch is delivered in a beechwood box with a cognac leather travel pouch. While not limited, production is naturally restricted due to the fully in‑house manufacturing of cases, dials, hands, and movements, resulting in only 30–50 watches per year shared between Sirna and Säntis.

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Angelus unveils the Flying Tourbillon Skeleton Titanium, Orange Edition, a vivid expression of horological energy and design. Limited to just 25 pieces, this timepiece transforms skeletonised mechanics into a canvas of colour and contrast. The satin-finished titanium case frames a deep black movement, animated by bright orange accents that highlight the time display and extend to three interchangeable straps. The openwork calibre, designed as a series of interlocking circles, adds architectural depth and visual dynamism.

Every detail of this 42.5 mm watch reflects a unique energy. Chromatic energy flows through the orange highlights. Customisable energy is offered by the quick-release strap system, allowing seamless transitions between black alligator leather, orange rubber, and integrated titanium. Light energy emerges from the skeletonised movement, while structural energy is revealed in the layered construction. Graphic energy is embodied in the three-dimensional architecture of the A-310 calibre.

The dial features a floating orange minute track above a black flange, with hour markers crafted for the first time by Angelus in monolithic blocks of Super-LumiNova. These luminous elements ensure legibility in low light and reinforce the watch’s modern aesthetic. At the heart of the case lies a carbon composite chamber, lightweight yet rigid, surrounded by a modular titanium cage that enhances stability and mechanical appeal.

The A-310 calibre showcases Angelus’s signature three-spoke wheels, leading the eye to the flying tourbillon suspended without an upper bridge. Supported by a 160° angled bridge, this asymmetrical design intensifies visual tension and balance. The tourbillon completes a rotation every minute, oscillates at 4 Hz, and offers a 60-hour power reserve. The Flying Tourbillon Skeleton Titanium, Orange Edition embodies the Angelus L.A.B. philosophy—Legacy and Beyond—where technical mastery meets bold design to elevate mechanics into contemporary art.

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Chronoswiss proudly unveils the Neo Digiteur, a bold reinvention of an icon that first challenged convention two decades ago. Originally introduced in 2005 by founder Gerd-Rüdiger Lang, the Digiteur was a mechanical digital timepiece—a watch without hands—that defied expectations and celebrated horological artistry. Today, the Neo Digiteur returns sharper, stronger, and more modern than ever, crafted in stainless steel and infused with the pioneering spirit of its predecessor.

The design is architectural and tailored, with a rectangular case measuring 48 by 30 millimeters. Its sculptural lines are accentuated by sandblasted and polished finishes, while a reimagined onion-style crown ensures both elegance and ergonomics. At its heart lies a rare complication: a jumping hour regulator without hands. Time is displayed through three apertures—the jumping hour at twelve o’clock, digital minutes at center, and running seconds at six o’clock—creating a mechanical digital regulator that feels futuristic yet deeply analog.

Powering this display is the hand-wound Chronoswiss Caliber C.85757, beating at 3 Hz and offering a 48-hour power reserve. Developed entirely in-house, the movement features artisanal details such as hand-guilloché bridges and a sapphire crystal caseback that pays tribute to historic Fleurier calibers. Two limited editions express distinct personalities: Neo Digiteur Granit with an anthracite dial and Neo Digiteur Sand with a warm 4N sandblasted finish. Each version is limited to just 99 pieces, making the Neo Digiteur not a reproduction, but a true reinvention—a collector’s piece and a statement of mechanical artistry.

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