Angelus Flying Tourbillon Skeleton Titanium, Orange Edition

A harmoniously arranged skeletonised calibre with an evolved and subtle watchmaking style. Arnold & Son has reworked its Nebula collection, giving it a more striking case with a universal diameter of 40 mm while retaining its remarkably finished movement and unique abundance of watchmaking tradition. Two versions – one with a rhodium-plated and black calibre, the other with golden accents – ensure that the Nebula 40 Steel shines bright. The aesthetics of the Nebula collection are unlike any other skeleton: its structure conveys watchmaking spirit, its style expresses unique elegance, and the overall effect is one of outstanding finesse.

The case of the Nebula collection has been redesigned, modernised and refined. With streamlined lugs, a softly rounded bezel, a more vertical case middle and a diameter of 40 mm in harmony with its thickness of just 9.10 mm, this steel case opens a new chapter for the collection. Featuring the A&S5201 skeletonised calibre offering an ultra-graphic layout, Nebula retains its identity as a watch whose movement fascinates, captivates and draws the eye into its depths.

Chronoswiss is thrilled to announce the launch of its latest horological marvel, the Delphis Sub Zero. This all-blue wonder is a testament to the eternal beauty of ice and glaciers, merging innovative design with meticulous craftsmanship – with a cool twist.

The Delphis Sub Zero is an extraordinary timepiece encased in a 42mm CVD-coated blue stainless-steel case, perfectly complemented by a matching blue rubber strap. This icy blue ensemble creates a striking visual that is both bold and sophisticated, like an explorer of the frozen wilderness, capturing the essence of eternal ice.

Angelus introduces a new collection that plays with the tension between the circle and openworking. Flying Tourbillon Titanium adopts the architecture of the house’s contemporary case, consisting of a carbon composite container surrounded by a titanium case middle with a notched bezel. Inside, Angelus has installed a new hand-wound movement, the A-310 calibre, equipped with a flying tourbillon at 6 o’clock. Large Arabic numerals float between the sapphire crystal and the PVD-treated bridges, adding rhythm and lightness to Flying Tourbillon Titanium. The inaugural version is clad in blue, from the movement to the flange and the interchangeable alligator-leather and rubber straps.

Instrument de Vitesse, a new opus in the La Fabrique collection, revives the golden age of timed races. This single push-piece chronograph seems to have been plucked from the dashboard of a vintage GT car. It is equipped with a single timing hand – the centre seconds hand – and can time a maximum of one minute. With its sleek and refined retro sports look, Instrument de Vitesse is intended for enthusiasts of watchmaking history and culture. Housed in a 39-mm steel case, its 4.20 mm manually wound Manufacture calibre ensures that the finished timepiece is less than 10 mm thick. Instrument de Vitesse is available with an ivory-white or ebony-black dial in two limited series of 25 timepieces each.

Appearances can sometimes be deceptive. At first glance, Instrument de Vitesse does not appear to be a classic chronograph. With its three central hands, it looks like a watch... with three hands, but the tachymeter scale running around the outer edge of the dial reveals its chronometric function. For this is a chronograph presented in its purest expression, dedicated to timing short bursts – a measuring instrument designed to take average speed readings over a maximum of 60 seconds. This, in turn, casts new light on the crown, which also acts as the chronograph’s single push-piece to set the slender centre seconds hand in motion.

DANIEL ROTH proudly presents the Tourbillon Platinum, a timepiece that pays homage to the brand’s rich heritage and its founder’s enduring passion for the tourbillon complication. This exceptional creation is inspired by the 1988 reference C187 and reinterprets it with modern refinement, artisanal craftsmanship, and a noble platinum case.

The signature double-ellipse case, now crafted in platinum, measures 38.6 x 35.5 mm and is just 9.2 mm thick. It houses a hand-guilloché dial made of solid white gold, finished in anthracite and accented with a sterling silver chapter ring. The dial’s linear guilloché pattern is executed by a single Maître Guillocheur over three days, reflecting the brand’s commitment to traditional métiers d’art.

Inside beats the DR001 calibre, a manually wound movement developed by Michel Navas and Enrico Barbasini at La Fabrique du Temps Louis Vuitton. Comprising 206 components, it offers an 80-hour power reserve and operates at 3Hz. The movement is entirely hand-finished, including hidden components, and features a triple-arm seconds hand—a nod to Daniel Roth’s original design language.

The Tourbillon Platinum is the third model in the brand’s rebirth, following the Tourbillon Souscription and the rose gold edition. It offers a more contemporary aesthetic while remaining faithful to the brand’s DNA of mechanical excellence and elegant restraint.

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From the heart of Lucerne, the esteemed watchmakers at Chronoswiss are thrilled to announce the launch of three extraordinary timepieces that are set to revolutionize the luxury watchmaking landscape: The ReSec Helium Manufacture, ReSec Vertical Red Manufacture, and ReSec Obsidian Manufacture. These aren't just watches; they are marvels of engineering and design, crafted to push the very limits of horological artistry – all powered by the new Chronoswiss Manufacture Movement C.6005.

The 41.5 mm diameter Constant Force Tourbillon 11 watch in 18-carat yellow gold, released by Arnold & Son as a limited edition of 11, is driven by a hand-wound mechanical movement. Equipped with two barrels to give a 100-hour power reserve, this timepiece was entirely developed and built at the manufacture in La Chaux-de-Fonds. It is fitted with a constant force mechanism visible on the enamel dial and is regulated by a tourbillon that can be seen on the back. The architecture of this calibre is inspired by that of the timekeeping instrument driven by the first tourbillon created by Abraham-Louis Breguet in 1808, based on a chronometer movement designed by John Arnold. This first tourbillon regulator, now in the British Museum, was given to John Roger Arnold by the Paris-based watchmaker in honour of his scientific collaboration and friendship with his father. The Constant Force Tourbillon 11 timepiece, designed to mark the end of the 260th anniversary celebrations of John Arnold’s legacy, pays tribute to the watchmaker’s ingenuity and his close association with Abraham-Louis Breguet.

The greatest watchmakers of the Age of Enlightenment often knew each other. Some of them exchanged views and appreciated each other despite language barriers and political obstacles. And this was the case with John Arnold and Abraham-Louis Breguet. These two watchmakers, undoubtedly the most productive of the second half of the 18th century, forged a friendship that nothing could shake, not even the throes of war between the two countries or the French Revolution. Aware of their respective talents, during Abraham-Louis Breguet’s frequent trips to London between 1789 and 1791, they shared their views and knowledge of the principles of timekeeping, furthering the science of timekeeping, which in their eyes definitely knew no frontiers.